Category: Editorial Review
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The Earth Is My Witness: Part 1 – A Visual Testament by Elizabeth Lahey
There are moments in art when the canvas seems to breathe, to speak, to remember—and The Earth is My Witness: Part 1 by Elizabeth Lahey is one of those moments. This stunning acrylic and plastic assemblage doesn’t merely depict a fish—it channels a haunting, reverent spirit of life caught between…
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Amelia Earhart: There’s More to Life Than Being a Passenger – A Surreal Tribute to Courage and the Sky by Neil Garrison
With the calm clarity of a vintage photograph and the bold innovation of surrealist vision, Neil Garrison’s Amelia Earhart: There’s More to Life Than Being a Passenger invites us into the cockpit of imagination—where steel, spirit, and sky converge. Selected for The Sky Above – 2025 international exhibition, this acrylic…
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Imminence: Grace on the Edge of Extinction by Mary Taylor
There is a moment, a breath held between the stillness of presence and the urgency of action—that fleeting, weighty instant where futures shift. It is precisely this moment that Mary Taylor captures with unwavering intensity in her welded stainless-steel sculpture Imminence, a work selected for the Extinction: Save the Planet…
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Just Curls: Wolfgang Mueller’s Luminous Tribute to Womanhood in Glass
Just Curls, a striking glass artwork by Wolfgang Mueller, is a deeply symbolic and visually mesmerizing addition to the Woman 2025 international exhibition—presenting not only technical excellence, but also a profound meditation on femininity, complexity, and identity. The work exudes timeless elegance and dynamic energy, resonating powerfully with the exhibition’s…
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